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At a museum in Vietnam,Lena Bui's film Where Birds Dance Their Last reflected on the beauty andvulnerability of Vietnamese feather farms after Bird Flu.During a festival in Rwanda,Ellen Reid's audio experienceSoundwalk was shared in a hopeful discussion about music,parks and mental health.These are a few of the things Ihave helped bring to life over the years,working at the intersection of scientific research,the arts and advocacy tosupport science in solving global health challenges.Science is key to addressing these issues.But it isn't the only key.To achieve its potential and for its advancesto be implemented and reach all who could benefit,science depends on trust and good relationships.People mightnot always see science as relevant,trustworthy or meaningful to their lives.There are reasons why some see scienceas having a chequered past,from nuclear weapons to eugenics(),and are therefore uninterested in,orsuspicious of,what it proposes.Others feelexcluded by the incomprehensibility of hyper specialist knowledge.In its capacity to build upon and test an evidence base,science is powerful,but researchers and funders haven'tbeen as good at ensuring this evidence base responds to the needs and interests of diverse communities,or informspolicy makers to take action.Science might be perceived as distancing itself from the personal,the poetic and thepolitical,yet it is precisely these qualities that can be most influential when it comes to public interest in atopic orhow a government prioritizes a decision.A moving story well told can be more memorable than a list of facts.This is where the arts come in.Artists cangive us different perspectives with which to consider and reimagine the world together.They can redress theproclaimed objectivity in science by bringing stories-subjectivities-into the picture,and these can help foster asense of connection and hope.In 2012,I set up artist residencies in medical research centers around the world.Bui was attached to the OxfordUniversity Clinical Research Unit in Vietnam.The head of the research team was delighted,finding that Bui,as aVietnamese artist,had license to be in,and to share useful insights from,villages where infectious disease researchersweren't welcome.Six years later,I led Wellcome's Contagious Cities program,which established artist residenciesworldwide to support locally led explorations of epidemic preparedness.The recent pandemic made this work morenoticeable,and has informed our Mindscapes program which is currently sharing experiences of mental healththrough the work of artists.With pandemic,climate and mental health crises upon us,rising inequality and what feels like an increasinglybroken world,never has there been more need to build and nurture hopeful and imaginative spaces to grow humanconnection and shared purpose for the common good.Science and the arts can work hand in glove to achieve this.28.Why does the author list two works in Paragraph 1?A.To reveal the gap between science and art.B.To prove his competence in both science and art.C.To introduce successful science-related artworks.D.show that science can be promoted in art forms.29.What does the underlined word"chequered"in Paragraph 2 probably mean?A.Recent and remote.B.Good and bad.C.Usual and unusual.D.Peaceful and scary.30.Which of the following would the author agree?A.Policy-makers base their decisions on science.B.Researchers popularize science effectively.C.Science is well received among the public.D.The arts help people build connections.31.Which of the following would be the best title for the passage?A.The Value of the Arts to ScienceB.Where Do Science and the Arts Meet?C.A New Way to Fight Pandemic-the ArtsD.Which Matters More,Science or the Arts?第5页，共10页